Signs, colors, numbers, objects, food, cardboard, acts, references to works by masters of Avant-garde, sounds, wordsinstruments, sounds, clothing, actions.

The numerous and significant installations and performances use in great deal this material, which becomes the object of a continuous game of matching and variance, cover-ups and recoveries, explosions and implosions; this material, stored and acted in a behavioral context, shows a complex and original creative existence, shunning from being satisfied of temporary achievements, but rather realising an endless search for an aesthetic and ethical objective so necessary and attractive as unknown and unreachable.